Arbiter Libera


Another two weeks, another update. Much to my own surprise. I kinda winged it this time seeing as Book of Demons is the kind of game I could've taken a lot more time with before penning a review, but I think I'll also keep it installed for a little while longer. On the other front I've covered Castlevania S2 and Y: The Last Man as part of my finally correctly titled Multimedia section. You can teach me to schedule, but you can't take the obsession to standardize out of me.

P.S.
What do you think about actually listing what I’ve reviewed in the opening and including samples of graphical media when I review them?

Castlevania (Season 2)

Action, Adventure, Horror October 2018, 8 episodes

Almost two years ago I reviewed the first season of Castlevania and wondered how its sequel would turn out considering the first one, which consisted of mere four episodes, was basically just a setup to get our party together so they embark on a quest to hunt down Dracula proper. Time has come... well, time actually came last year yet here I am today having seen all eight episodes of the second season attempting to put it into words.

Where to begin? In hindsight it turns out having that tight-packed original was better in every way compared to what we got in this offering. I'll get into actual problems as I carry on, but the most obvious one for me is there's basically just as little if not less story here than we got earlier except it's now dragged out across twice as many episodes with unhealthy dose of filler thrown in for good measure. Show also fell into “bigger and more = better” trap in the attempt to escalate story stakes when the groundwork was already laid down and that should have been used instead.

Story buildup we saw up to this point gets resolved in the last two episodes. Until then it becomes painfully obvious writers watched too much Game of Thrones and thought vampire politics was what I wanted in my Castlevania animation. They were sorely mistaken. Now, vampires and politics can work, as Vampire the Masquerade can attest to, but in this case it results in just a whole lot of static shots where vampires stand in the grand hall and pretend to politic/strategize while old Drac is tired of life and wants to end it all. When you consider half of most of the episodes are dedicated to vampire POV it drags the whole thing down. Flipside is there are two new human characters who are interesting and I genuinely wanted to see more of and show thankfully provided it with backstory flashbacks. Once in a while you cut loose with gratuitous action scenes that don't really provide much context to the story under than to, I don't know, justify the action tag? It's just all so unfocused and I don't think the director knows what pacing means as they were given too much time and not enough plot to fill it with. Even our intrepid trio of protagonists does little until the finale and I can only stand so much bickering between Alucard and Trevor with Sypha mediating between the two manchildren. All three of them are fundamentally the same characters we saw in the original so nothing's really changed there. They simply have to get new stuff and learn new tricks to actually get to fight the big D. But those last two episodes, man. That's what I wanted the show to be – action galore and finally tossing in some Castlevania music. Such a shame it comes so late and is resolved with assumed expectation from the viewer to be already invested in these characters. Except in this second season I can't even cheer for Dracula anymore because he's gone full nihilistic. And show then has the nerve to sequel bait not once, but TWICE... with season three already confirmed.

As you can probably tell I did not enjoy this. It simply comes across as a tremendous downgrade in almost every respect that has to do with pacing, writing and development. Sure, the visuals are still there and combat choreography was good, considering they seriously increased the time spent fighting so it occasionally dips into frame jank, but even the sound design is somehow just there. Vampires going all “diversity mode” simply so you can have an international cast to slay, who barely utter a word so they're just stereotypes, seems like a waste of time and effort, for example.


Y: The Last Man

Post-apocalypse, Drama, Adventure, September 2002 – March 2008, 10 Collected Volumes

Time for another graphic novel. Or comic, if you prefer. Y: The Last Man fits well within my spheres of interest aka not being your “cape comic” that seem to be all the rage these days and comes neatly collected. As a matter a fact there are multiple collected editions out there and I'd probably track down Absolute Edition because it's the entire story in just three books.

It's 2002 and the unthinkable has happened – all the males have died. Well, everyone except Yorrick Brown and his pet monkey Ampersand who makes it his favorite past time to throw excrement at Yorrick. Needless to say this turns the world upside down as society breaks down and begins to rebuild over the course of the story. What is the story, though? There's kind of a lot to take in because the story clearly runs on arcs, but what we start off with is Yorrick wants to get to Australia to locate his girlfriend Beth while the rest of the world, of which there are many parties including the Israeli military, female US president drafting the mysterious Culper Ring organization to protect the only surviving male, and lots of other crazy shit that eventually gets introduced. Story is not really Y's strong point if you ask me. Barring some asspulls and twists you can largely guess how this “world gone crazy with women” premise turns out for the only guy around and ultimately comic relies on introducing more outlandish elements to throw roadblocks in Yorrick's way as the cast expands. Ultimately it's the premise I found the most engaging when you have the types of New Amazons popping up, piracy taking a new meaning and not even the astronauts are forgotten. Not to mention asking if there's truly hope in such a setting?

With all that in mind it's the characters that really carry this one. Or will break it utterly depending on where your preferences lie. Mr. Brown himself is kinda that stereotypical early 2000's wisecracking smart guy using it as a facade to deal with his own inner turmoils and is largely likable. Where he got on my nerves is with constant referencing when it felt out of place or just to reinforce the notion he's a brat. Fortunately he's balanced by excellent agent 355, a no nonsense government agent who's role it happens to be to watch over Yorrick. She doesn't have an easy job and relationship is one of barely tolerating each other early on. Naturally, it goes places. There's probably about a dozen of other characters involved, particular standout being Dr. Mann who may or may not know what actually caused the extinction of the male population worldwide, but it's the dynamic duo that carries the story and how they develop.

So what's my last word on Y? Well, uneven would definitely qualify. As well as groan-inducing at times. Aside from the whole in your face feminism thing, which got on my nerves real fast but with Yorrick being the way he is you can almost see the women in this story may be onto something, it was author's incessant need to stop and deliver a paragraph worth of “as you know...” type of exposition. It's unnecessary and kills whatever pace you had. No, I don't need to be reminded who the Amazons were in the middle of a tense standoff, for example. This persists throughout the comic. It is a decent looking comic, I'll give it that. Definitely modern made and you can tell corners were cut with some backgrounds, but the cover art is gorgeous so that was a good way to get me hooked. On top of general artwork gradually getting better as more issues were released. I think one of the artists was actually from Croatia?

Supernormu

Nice to see some comic book reviews. I haven’t been here long, so there might actually be heaps but this is the first I’ve seen. BKV is one of my favourite comic book writers.

“as you know…” type of exposition

Yeah, this is quite common in comic books, and agree not always necessary. Probably has to do with the menium traditionally being monthly publication, and the perceived need to remind the reader of what’s happened. If you’ve read many superhero comics, characters had a habit of explaining aspects of their powers needlessly, like people didn’t already know.

Arbiter Libera

I think I’ve actually reviewed a few. Recently Prophet, not Liefeld’s take but rather new 2012, and ages ago Requiem Vampire Knight which by all accounts sadly won’t ever get finished. Couple of others here and there, too.

If you’ve read many superhero comics

My lack of street cred shows because I can’t stand superhero comics. There’s usually way too much baggage involved even if it is a new Issue #1, and I really don’t want to be one of those “new fans” who just show up and think they know everything because they read a few issues.