Yeah High on Life is pretty much what you'd expect from the co-creator of Rick & Morty - lots of similar humour, and even the same"wild space-time shenanigans" basic premise

Having your guns be your companion characters is an interesting idea, and also kind of neat because it puts their characters front-and-centre. Very few total guns to compensate for being voiced, although each gun has a few different shooting options, as well as movement abilities that unlock new areas, both adding flavours and expression to gunfights as the game progresses

I had an alright time. It gets points for being a focused experience, and not hanging around too long, but your enjoyment mostly hinges on how you find the writing and dialogue, because it's constant. I don't mind it that much - and even had a chuckle now and then - but if you find it annoying, you probably won't make it through, although there is always the mute button

Not much to say to be honest, and this is another added to the pile of games waiting for DLC to finish properly

This was an interesting one. Unsighted is a top-down metroidvania, which is mildly unusual on its own, but it's unique selling point - and most divisive feature - is the timer: almost all characters in the game, yourself included, have a literal countdown ticking away until they die (or become Unsighted technically, but it's functionally the same)

So obviously this is a pretty hard sell, and they're aware of it, warning you very clearly near the beginning of the game, and even offering the choice to disable it entirely right then. As someone who takes really long to do anything in life (not just games), this feature was definitely a concern. After checking there wasn't anything critical locked behind keeping everyone alive, i decided to keep the timer on, at the very least just as an experiment, to see how it influenced my play

Basically, it did and it didn't. The beginning was just getting used to the game, so as expected, but as everyone's hours started dropping, i found myself sprinting everywhere, rushing past enemies and sloppily fighting bosses; anxiously debating whether it's worth spending the time to explore, because i could find some of the rare item that extends timers a bit, or maybe a shortcut for speedier navigation, but i could just as well waste a bunch of time.

The first few characters deaths sucked, but kind of expected. A few guys start with remaining time so low that i'd be surprised they didn't die on anyone's first play-through, so i made my peace easily. The next few were a bit harder because they were either useful or charming. One character teaches you to fish, and you find them around the map along your travels, so i was pretty sad to find one of their spots empty all of a sudden. It hit the hardest when the floating fairy-guide character that had been with me the entire game eventually disappeared, but it was also a turning point; death was now normal, characters were expendable, and i had to keep myself alive most of all

Mechanically, Unsighted is impressively well-designed, and seems to be built for sequence breaking. At the start, you're given five bosses to kill, and a recommended order, but the map is technically open already, if you know how. Moments i found particularly surprising were when new traversal mechanics were revealed, but with items you already had for a while - making you realise how many spots you thought weren't accessible, actually were. Clearly the game wants you to use this knowledge to absolutely unravel it on a new play-through

Unfortunately, the narrative is where things slump a bit, which is an extra shame because it makes it hard to feel much when the characters disappear, as they don't leave much of an impression anyway. The overarching plot is a pretty basic defeat-the-evil-and-save-this-world type deal, except you're all robots, and the humans are bad - i don't know, it didn't matter to me. Nailing good story and characters is obviously easier said than done, but getting that right would've put this game into near perfect status, in my opinion, so it's a real shame

Real good game though, and interesting "experiment" that they tried out here

I'm just kidding, i really liked Journey, although this is definitely more engaging mechanically.

Jusant is a nice, short game about climbing a giant, cliff-like tower. You have to manually grip the wall at hand-holds, and can do a short jump/scramble for spots out of arm's reach. There's always a rope keeping you safe while you do this, but it's probably a good idea to place a new piton if that jump looks a bit sketchy

Various one-off mechanics are added in, and sometimes dropped, but they all work off the above fundamentals. Limiting your traversal is a stamina meter, with a slower degrading max that i thought was quite neat (stamina can be restored while climbing, but max stamina only once you fully stop). It felt like a good way of expressing the difference between short term recovery and long term rest

The game is clearly gorgeous (and knows it) with a lovely art style and lots of attention to detail. Get your screenshots ready (or browse the hundreds already uploaded). The setting seems like a dried up sea, with the tower previously populated, but all having left to find water some time ago. You can find notes that give a window into that past, but otherwise all you have is environmental storytelling and silence while climbing

Overall, a nice game (and completion!) to start the new cycle with

Oof this was a big one. Even considering i spent a decent 30 hours messing with mods and restarting a few times, that's still a chonky playthrough. CRPGs will be the death of me…
Divinity: Original Sin is an actually-pretty-good game that's unfortunately overshadowed by its sequel (looking forward to it.. one day), which itself is in the even bigger shadow of Baldur's Gate 3 (maybe you've heard of it ?)

At the start of games like these, i usually spend a not-insignificant amount of time agonising over the class and style i want to play. I check the companions and the available skill trees, trying to remove overlaps and maximise class "coverage" - even sometimes resorting to the lore or "canon" to make a choice. Multiply that by two protagonists, and you can maybe imagine why my time is like it is

All that time spent, only to find Divinity has a mostly classless system, so i could pick and choose whatever skill-trees and combine them into my own thing. The starting templates did help setting up a base though. As far as skill systems go, this one is kind of table-top-y ? Six main attributes and a bunch of stats derived from them, traditional stuff. Next to that there's ability scores, which either give passive bonuses or unlock higher level skills. Familiar enough but different enough. Same same but different

I tried co-op a little bit, and it's impressively seamless (i think the two protagonists are a sign that they designed for this to begin with). Running around is done in real time like the old Baldur's, but combat is turn-based, which is a change very much appreciated by me (let's me actually use my skills), but it can look a little goofy when one of your characters is running around freely while the other is stuck in the turn-based dimension. I bet there's some cheeky exploits people have done with this..

The other thing that added hours to my counter was modding the game a bit. I'm not a fan of juggling companions in and out of the party - especially when they each have their own overarching stories with specific triggers - so i added the six party mod. Then i had everyone's opinion of events all the time, so happy me. The trouble is that i was really enjoying the game-pad control scheme on Steam Deck, but the UI seems designed for four characters. Cue the hours spent trying to figure out a workaround, then seeing if i could make my own mod (couldn't), and finally giving up and playing on the laptop, which was.. acceptable at least

D:OS's narrative is long and winding (much like this review is becoming) which is in line with games in this genre, if a bit much. Each act is it's own thing, with side-quests aplenty, and an overarching main quest to pull you through. The tone is all over the place, with humour and grimness popping in and out whenever they feel like it. I'm not sure this is such a bad thing though, as while it does make everything seem a bit erratic, it does make it all seem more true to reality, in a weird way

The Diablo loot system felt really out of place though - i wouldn't be surprised to find managing loot took up a third or more of my playtime. Perhaps i didn't need to be optimising so much as i already had an unbalanced party, but the lure of those colours is so strong. Would've much preferred equipment that was more intentionally designed, which is one of the places where the old Infinity Engine games come out on top

A giant review for a giant game, i guess. As i said at the beginning, i did very much enjoy DIvinity: Original Sin, and would easily recommend it, but the time investment is maybe a bit daunting for most. Keep in mind that i am a slow and exhaustive player (read: obsessive)

Finally finished Slay the Spire, and yes, it is as good as all the nerds say it is. As you can see, it took me many hours to finally call it beaten, but during that time it such a strong hold on my waking thoughts - other parts of my life may have suffered a bit during, but don't tell them i said that

Not a huge CCG guy growing up, mostly for financial reasons, but cards are nearly fundamental to games (in general) and i always enjoyed playing them, collectible or otherwise. I did jump on Hearthstone when it came out, and spent a few years trying to keep up with that, until eventually burning myself off of it during lock-down. At some point during that Slay the Spire must've emerged, and cards in digital games have mostly exploded since then

Anyway, enough of (personal) history. For those who don't know, StS is a card game rogue-like, you start with a basic deck of ten or so cards, and can add a shiny new card to it after each victory against the various enemies of the Spire, on your way to the top. Other traditional rogue-like elements are here too; character-changing relics, treasure rooms with free goodies, shops with (hopefully) the things you're looking for, risk-reward elite enemies, and bosses ending each act

While there are common card mechanics across the board, each playable character has their own suit of cards, and embodies a broadly different win strategy - having within a few deck archetypes you can build towards (or mix and match). They're introduced in what feels like simplest-to-hardest to understand, but most importantly they all feel quite different to play (some more unique than others perhaps)

Took me a while to realise that i needed to resist the urge to add new shinies to my deck, as having a smaller more focused deck is often better than an overall more powerful deck, that's harder to find the things you need, when you need them (just a basic tip from me).
Good good stuff. Now i want to play every other card game in my library..

Doom: Eternal is pretty much exactly what the algorithm for generating a sequel to Doom 2016 would produce: same fundamental game structure, with more things built on top of it - more mechanics, more systems, more world(s), more story and lore.. more everything, for better or worse.

In the predecessor your basic mechanics were shooting to do damage, glory kills to restore health, and chainsaw kills for ammo. Eternal adds a flame belch for armor, and a frag & ice grenade for some crowd-control, with those and one pip of the chainsaw now on cool-downs (so technically you have unlimited resources, if enemies are around). Keep the double-jump from 2016, and add a double-dash, then add a high-damage blood-punch charged by glory-kills, as a nice removal tool

We're not done adding new things though. Give us some character upgrades in the form of Praetor suit tokens, while still keeping the Argent upgrades to health/armor/ammo, but add some more bonuses to that system as well. Keep all the weapons and their mods (with a few minor tweaks), but in addition to mission challenges for weapon upgrade points, give us some secret encounters that reward them as well. Add some hidden keys to hidden Slayer Gates that give a new super-weapon upon completing, and then add cheats, toys, music tracks, and lore pages all over every level because why not

As incentive to use all of these new systems, enemies have specific weaknesses to 1 or 2 weapon attacks. The difficulty felt cranked up slightly as well, with more demon types, and in greater numbers. Eternal really doesn't care about making you sweat though, giving extra lives to collect, and letting you use cheats without blocking progression. If you die enough in one spot, you can opt for a super-suit to get you through that bit - might've had to use this on the final boss…

There's lots more lore to read as well, with a few more characters floating about - the plot is still primarily a vehicle to get you level to level though (at least to me). What levels though! The world design is gorgeous. I know it's probably just flat images, but damn are they good images to stare at between bouts of carnage

Soundtrack is still ridiculously good, maybe even a touch better in some tracks. Overall Doom: Eternal is easily a great game; lots of fun had i while playing here, and lots of hours spent doing it. I can't help feeling a bit odd about it. It's simultaneously a natural expansion of the original, which feels kind of safe, and also quite experimental with all its new systems. In a good way though.. mostly

I read an article recently about the upcoming Doom: The Dark Ages, comparing it to Doom: Eternal - they said that where Eternal feels like piloting a fighter jet, Dark Ages should feel more like driving a tank. Following that analogy, as thrilling as high-speed flying may be, i'm not sure i'd make the best fighter pilot. I think i'm more of a tank guy, i've just decided… yes, let's go with that…

Oh god, i forgot to mention the Doom Fortress with its Sentinel Battery unlocks, and the Crucible sword weapon…

From a a singing bard to a dancing genie, it seems my month is developing a theme. Shantae is a fairly long-running franchise of metroidvania games, with Seven Sirens being the latest (and the only one i've personally played)

As a metroidvania, it's pretty good. The world is nice to explore, and each new ability is fun to play with, although only about half of them pass the test of "is-it-just-a-glorified-key?" - for extra credit, even the ones that fail will add a sort of mini-game to the unlocked "doorways", which is different at least. Enemies (and bosses) will test you in interesting ways, and controls are tight enough for you to respond. It's not as expansive as the better Castlevania's or Metroid's but it doesn't really have to be

Difficulty-wise, Seven Sirens has the odd quirk where things will get easier over time (at least if you aren't intentionally limiting yourself). The first boss was probably the hardest for me, as character upgrades are scarce at that point, but by the end of the game i was just tanking bosses while whipping them to death with my upgraded hair. I know people are divided on which way a difficulty curve should progress - i'm not even settled on an answer myself - but i found it a touch too obvious here

For aesthetic and narrative, it's (just) pretty good as well. Nicely animated style, and lots of weird characters along the journey. Story has a mild mystery to it, but nothing too wild. Soundtrack has some good bops in there. I guess it's overall well made, and nothing seems out of place.. i'm just kind of running out of things to say…

I want to make it clear though: Shantae and the Seven Sirens is a good game. I enjoyed my time with it, even it was very familiar ground. If this was my first metroidvania, i'd probably like it more